09 Feb 26:
A few notes on BARBASHELA, as we got into cutting and shaping the first few 2016 pieces, and then attaching them.
1) You can never have too many clamps, and sometimes you build your own clamps. We were able to reuse the lapstrake clamps that we made to build our Penobscot 14, they had decently long throats to reach across a long distance.
2) Skipper is an outstanding paint stripper, she has the skill, touch and patience.
3) It is amazing how many tools it takes to unbuild parts of a boat.
4) Measure twice. Cut once AFTER asking Skipper for permission. I thought the transom had a sculling notch and boy howdy, Skipper let me know that it did NOT! This mistake on my part was later rectified and has become a humorous? part of the restoration story.
07 Feb 16:
Cut a new transom frame, beveled and screwed in place.
Skipper is in charge of this, 1-2-3-4 layers of paint, but at least it was thick and lumpy...
Skipper is gaining ground on the aft seat. It will be horseshoe shaped ad have a slight crown. And it will not be grey..or white..or green...
Scarfed a new top chunk onto the aft seat bulkhead, used Pettit Marine Paint Flexpoxy to adhere it. It is a great adhesive, fills gaps well, can be sanded and drilled and is good for use under the waterline as well. It is also stays flexible and can be molded and painted. Pretty much everything Barbashela needs for this part.
I think this is the biggest pile of tools I have ever had for one job, cutting new pieces for the stern.
Pettit Marine Paint Flexpoxy used to reattach the broken off piece of transom.
The Penobscot 14 transom frame pattern gave me some reference to sketch out Barbashela's top curve and sculling notch.
Tracing station 18 frame so we can make a new one for the port side.
Tracing station 18 frame so we can make a new one for the port side.
FMI: "BARBASHELA" a Rowboat of Captain Thomas Leathers' Design for Ms. Winnie Davis

















































